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"Top Hat" Overview
Perhaps the best remembered of the 10 Astaire/Rogers musicals, Top Hat has it all: Art Deco elegance, a wonderfully addled storyline, loopy support from skilled farceurs and the incomparable chemistry of the two leads cheek-to-cheeking to Irving Berlin's finest film score. It's a wake-up call for romance when Fred's exuberant No Strings dance in his hotel suite disturbs the sleeping beauty (Ginger) in the room below. They meet cute, Fred decides he'd like a few strings (preferably a tied knot) after all and love beckons until Ginger mistakenly gets the idea that Fred is a married playboy. But mistakes can be wonderfully, wackily resolved. Among the highlights: Fred mows down the chorus line in his signature Top Hat, White Tie and Tails, the shimmeringly dreamy Isn't It a Lovely Day (to Be Caught in the Rain)? and the rhapsodically tender Cheek to Cheek. Nominated for 4 Academy Awards including Best Picture, Top Hat is top-drawer entertainment magic.
DVD Features:
Audio Commentary:Commentary by Fred Astaire?s Daughter Ava Astaire McKenzie and Film Dance Historian Larry Billman
Featurette:On Top: Inside the Success of Top Hat
Other:Comedy Short Watch the Birdie with Bob Hope, Classic Cartoon Page Miss Glory
"Top Hat" Specifications
Even the best Fred and Ginger musicals are merely lavish excuses for some of the most elegant dancing ever put on screen, and Top Hat is no exception. The story is a silly but timeless tale of mistaken identity that compounds itself to extremes. Fred Astaire is the famous American hoofer Jerry Travers, in London preparing for a new show with his befuddled producer Horace Hardwick (the always entertaining Edward Everett Horton) when he falls for Dale Tremont (Ginger Rogers), a lovely, wisecracking American girl as light on her feet as Jerry. Dale believes Jerry to be Horace, the husband of her best friend Madge (Helen Broderick) and rebuffs his advances by marrying her dressmaker Alberto (Erik Rhodes), but in the best tradition of musical comedy, true love finds its own way. Practically the entire cast of the 1934 hit The Gay Divorcee reunites for this frothy confection, along with director Mark Sandrich, designer Van Nest Polglase, and choreographer Hermes Pan. Irving Berlin provides a tuneful score, including "Cheek to Cheek," which provides a classic duet for Astaire and Rogers, and "Top Hat, White Tie and Tails," which remains one of Astaire's finest solo numbers. Polglase outdoes himself with sets both elegant and outrageous and Hermes Pan's choreography is as smooth as ever, but ultimately it's the grace and chemistry of the leads that makes Top Hat top entertainment. --Sean Axmaker
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