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"Stephen Sondheim's Follies in Concert" Overview
The incomparable Stephen Sondheim brought his sensational Follies to the stage in 1971 where it was hailed as "monumental theater" by The New York Times. Fourteen years later, the magic was recreated by an unparalleled gathering of stage and screen luminaries performing with the New York Philharmonic at Lincoln Center for a wildly enthusiastic audience. This one-night-only performance became a legendary event in Broadway history--Follies in Concert! The evolution of this unique, historic event is exclusively captured in this film, from the first rehearsal--just four days before the show--to the last-second butterflies just before the curtain rose. This is a rare treasure for all fans of musical theater. Includes the memorable songs "Losing My Mind" and "I'm Still Here" and an all-star cast: Carol Burnett, Liz Callaway, Betty Comden, Barbara Cook, Adolph Green, George Hearn, Howard McGillin, Liliane Montevecchi, Phyllis Newman, Mandy Patinkin, Lee Remick, and Elaine Stritch. 90 minutes.
"Stephen Sondheim's Follies in Concert" Specifications
Follies in Concert: Four Days in New York provides a backstage look at a genuine Broadway event, the 1985 concert performance of Stephen Sondheim's 1971 Broadway musical Follies. A star-studded roster is backed by the New York Philharmonic, featuring principals Barbara Cook, Mandy Patinkin, Lee Remick, and George Hearn, supported by the likes of Carol Burnett, Liliane Montevecchi, Elaine Stritch, and Liz Callaway. Unfortunately, this 90-minute documentary only includes about 47 minutes of actual concert footage--ironic because the purpose of the concert was to record the whole score after the original Broadway cast recording had omitted or shortened many songs.
Still, what's here is not to be missed. Sondheim's musical brilliantly captures the memories and heartache of a long-lost era and the performers who embodied it. At a reunion of the fictional musical revue The Weismann Follies, the long-retired players relive their careers through pastiches of past songwriters, sometimes accompanied in song or dance by the ghosts of their previous selves. At the same time, four of the people (two married couples) remember their pasts and wonder whether they chose their spouses--and the course of their lives--correctly. This film includes glimpses of the rehearsals and comments from the actors and Sondheim himself that lend depth and insight to the production. And even if only about half of the actual concert is represented, the closing "Loveland" sequence is almost complete, and "Who's That Woman (The Mirror Song)?", though heavily edited, does provide some sense of the choreography. --David Horiuchi
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