Saturday, September 24, 2011

Black Friday Kid Galahad for $5.95

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"Kid Galahad" Overview


Immortal heartthrob Elvis Presley stars as Walter Gulick, an ex-G.I. who returns to his rustic hometown in upstate New York looking for work as an auto mechanic. Ambitious but naïve, he's reluctantlyroped into becoming a boxer by dubious manager-turned-innkeeper Willy Grogan (Oscar(r)-winner Gig Young, 'They Shoot Horses, Don't They,' 1969 Best Supporting Actor). With his loyal trainer Lew Nyack (screen legend Charles Bronson) at his side, the iron-jawed, anvil-fisted Elvis quickly becomes the top-drawing champion "Kid Galahad." But when the mob tries to muscle in on the action, the cool-headed fighter is forced to pull no punches in the ultimate bout to protect his honor and his dreams. Themesmerizing voice of Elvis, a romantic soundtrack, and breathtaking scenery makes this popular musical remake a knockout hit for the entire family.


"Kid Galahad" Specifications


Elvis Presley tries on boxing gloves for Kid Galahad, one of his post-Army pictures that still has some fresh air and innocence in it. First spotted crooning from the back of a pickup truck, Elvis plays an ex-G.I. newly returned to his foresty birthplace, where shifty Gig Young runs a boxing camp. Naturally the kid turns out to have talent with the gloves, and a gamblers/mobsters/boxing formula soon kicks in. Meanwhile, Elvis turns his attention to Joan Blackman (from Blue Hawaii) and Young resists making an honest woman of girlfriend Lola Albright. Charles Bronson, who didn't get on well with Elvis, has a hefty role as an incorruptible trainer. The songs squeezed in around this are humdrum, and even the best ones can't accurately be described as rock & roll. Director Phil Karlson, a dab hand at action films (The Phenix City Story), gets some savagery into the fight scenes, and the early location work has a nice breezy feel. As for Presley himself, the early signs of stupor are beginning to be apparent; after the enjoyable opening reel he lacks the old spirit, looking understandably unengaged by the material or his co-stars. --Robert Horton






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